“Backtracking” tries to recreate the siltation, scouring and water flow of river through time, and its connection with space. The river’s ephemeral characteristic has reached a consensus of power formed through siltation and fade. As a conscious form of performance, the structure of repeated intrusion, interruption of consciousness, memories and the reproduction of appearance hangs permanently. The work conforms to the visual of water flow, influencing and following the viewer’s breath while they observe, creating a transition for their perception afterwards, and reconstruct their perception of time.