人們對於空間的意識是不連續且失序的，透過地方環境所提供的知覺資訊，進而形塑出一個以自身個體為出發點的虛構圖像，而這樣意識的過程宛若招喚儀式般，摻雜著共同經驗與個人經驗，串連起過去與現在的物質與記憶。我們延伸出了一道存在於現實與虛構的觀景窗，在當中停格了精神與身體，這些景象不再是斷裂而無法觸及，飄乎不定的意識成為了無所不在的風景，就如同禪學當中「悟」與「不悟」的過程，從「見山是山，見水是水」到「⾒⼭仍是⼭，⾒⽔仍是⽔」，在這些景與物的堆疊當中，尋找消散的存在感。

「⾒⼭仍是⼭，⾒⽔仍是⽔」—— 風景不只是風景，它如同意識凝聚般，⽽⼈們流動⽽不規則的感知則充斥其中，成為了⼼中的⼀種精神景觀。在這檔展覽當中，試圖於疫情⾝體受於限制的時代，透過作品開啟新的視角，喚起觀者個人經驗便足一切，試圖將單一、無修飾的經驗突破事物表層的概念結構。與其一一指認，寧用直覺來感受客觀存在的空間，過程必然曖昧無常，事物其表面看起來天差地遠，但都是自己本心所有。

People’s consciousness of space is discontinuous and disorderly. Through perceptual informations provided by environment, it forms a fictional image from the individual. This process of consciousness is like a summoning ritual, mixed with common and personal experiences, connecting materials and memories of the past and present. We extend a “viewfinder” between reality and fiction, in which the body and mind are frozen. These scenes are no longer broken and inaccessible, and the uncertain consciousness has become a ubiquitous landscape. Just like the process of “Enlightenment (Satori)” in Zen, from “Seeing the mountains and waters as they are” to “ Seeing the mountain is still mountain, water still water.” Looking for a dissipating sense of existence in the stack of scenes and objects.

“Seeing the mountain is still mountain, water still water.” —the landscape is not just landscape, it is like consciousness, where people flows and the irregular perception is filled within, becoming a spiritual landscape in their own mind. In this exhibition, we attempt to open up a new perspective during this pandemic era, which physical body is under restrictions. Trying to breakthrough the surface of conceptual structure with single, unmodified experience. Using intuition to feel the objective existence of space rather than identifying it. The process would be ambiguous, and the definition of space seems far from it’s surface, but it’s all self-contained.